I'm a cross-genre composer-storyteller who loves soaring melodies, dream worlds, and stories that challenge our preconceptions about what is true, good, right, or worth wanting.
My mission is to create magical experiences that spark the kinds of thoughtful, emotional conversations that make us feel alive, that change the course of our lives — and to do so while fully honoring my collaborators as ends in themselves.
I'm inspired by the epic energy of nouveau cirque, the lush soundscapes of classical orchestras, the character-driven storytelling of musical theatre, the immersive power of film & game music, and the authentic heart of indie & nomad folk songs.
The most beautiful thing in the world to me is people who care deeply.
Feel free to say hi if you'd like to talk about it!
My work has been featured Off-Broadway and around the world at Lincoln Center, the Public Theater, the Rattlestick Playwrights Theater, and the Nadia Boulanger Institute.
Recent projects include VISARE (New Voices Project Winner 2021, Vivace Award Nomination 2021), Yoko's Husband's Killer's Japanese Wife, Gloria (5th Avenue Theatre: First Draft Commission 2021, Civilians R&D Group 2022, O'Neill Semifinalist 2023), [untitled hat project] (tiny immersive experience at an eclectic hatmaker's studio, NYFA grant recipient), and music direction for new works like ship-wide immersive experience Scarlet Night.
As a conductor, pianist, and vocalist, I've performed on national TV for CBS Sunday Morning, on Broadway with Kimberly Akimbo, at the Warfield Theatre in San Francisco, with KHORIKOS at National Sawdust and (le) poisson rouge in New York, and for house concerts across the country.
I am the proud daughter of Chinese immigrants. I grew up in California, studied computer science and philosophy at Stanford University, organized the Viennese Ball in San Francisco, and built products at Dropbox before deciding to follow the music. MFA: NYU Tisch.